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New transcript: PROBES #9, by Chris Cutler. Oblique and extreme performance techniques applied to wind instruments and percussion

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2014-09-19 11:53Radio Web MACBA New transcript: PROBES #9, by Chris Cutler. Oblique and extreme performance techniques applied to wind instruments and percussion
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2014-09-19 11:53Radio Web MACBA*New transcript: PROBES #9, by Chris Cutler* Chris Cutler's PROBES #9 looks at some of the
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Fri, 19 Sep 2014 13:53:27 +0200
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New transcript: PROBES #9, by Chris Cutler. Oblique and extreme performance techniques applied to wind instruments and percussion
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*New transcript: PROBES #9, by Chris Cutler* Chris Cutler's PROBES #9 looks at some of the more oblique and extreme performance techniques applied to wind instruments and percussion. Link: http://rwm.macba.cat/en/extra/probes9-chris-cutler/capsula A must read! Here a small excerpt: "Orchestral instruments, like their players, are expected to eschew individuality and personality while, in a jazz context, the great soloists raise their instruments to a state so human and profane that – in an orchestra setting they would have been, as Raymond Chandler put it, ‘about as inconspicuous as a tarantula on a slice of angel cake’. Orchestras, like national radio stations, learn to speak in received pronunciation, while jazz musicians jive in dialect and slang". You can find the ongoing podcast series here: http://rwm.macba.cat/en/probes_tag